The Journey of Marten: From Ibadan to the World
Entertainment
milliondollarideas

The Journey of Marten: From Ibadan to the World

Early Life and Discovery Born in the bustling city of Ibadan, Oyo State, Marten’s journey began in Lagos where he grew up and attended school. His artistic talents emerged early, culminating in a significant milestone in 2005 when he won a competition at the White House on Toyin Street in Ikeja. This victory marked the beginning of his exploration into the world of music. Musical Inspirations Marten’s musical creativity is deeply rooted in the influences of iconic artists such as Nas, Bob Marley, Peter Tosh, Sizzla, Heavy D & the Boys, General Levi, 2 Live Crew, Mobb Deep, Fela Anikulapo, Ayinde Barrister, Kwa1, King Sunny Ade, Brymo, Pasuma, and his adored Asa. These legends have significantly shaped his musical journey and continue to inspire his artistic endeavors. Artistic Beginnings Marten’s artistic expression began with drawing and painting at the tender age of seven. He found solace and inspiration in creating comics while immersing himself in music. By the age of 15, he had transitioned to rhyming words and performing at school shows, setting the stage for his musical career. Creative Process Marten’s approach to music creation is straightforward yet profound. He listens to a good beat, crafts a melody, and seamlessly integrates his lyrics to create a song. His introverted nature drives him to seek solitude, allowing him to delve deep into his creativity and produce his best work. Musical Releases and Themes Marten’s two singles, “Gone” and “Hustle n Pray,” encapsulate his musical essence and storytelling prowess. “Gone” addresses themes of heartbreak, pain in relationships, and domestic violence, advocating for walking away from toxic situations. “Hustle n Pray” reflects the daily grind of Lagos life, emphasizing perseverance and faith. His new project distinguishes itself from previous works through enhanced sound quality. Collaborations and Influences Marten’s career has been shaped by collaborations with notable figures in the music industry. Working with Sars in 2007 at Edge Studio Jibowu and Fear Deevee were transformative experiences. Major Banks produced his latest single, “Hustle n Pray,” and he eagerly anticipates future collaborations with other talented artists and producers. Challenges and Triumphs Promoting his music has been a formidable challenge for Marten. Despite facing false promises and unreliable promoters, he remains resilient. His earlier works, including “Jerusalem” (2012) and “Freedom” (2016), are available on YouTube, and his compilation, “From the Bottom Mixtape,” is on Audiomack. Marten embraces criticism, using it as a catalyst for growth and improvement. Forming The Jokers In 2004, Marten formed the group The Jokers, with members Digit and Mozdef. Initially underestimated due to their youth, they surprised many by winning a competition at the White House on Toyin Street in Ikeja, coming first among over 150 contestants.   Future Aspirations Marten’s aspirations are driven by a desire to see his children and business flourish. He aims high, trusting in God’s blessings and guidance. Collaboration dreams include working with Asa and Wande Coal, artists whose genres he admires. Unique Style and Vision Marten’s uniqueness lies in his ability to stay true to his style while being versatile. He values feedback and aims to deliver dance songs without compromising his real essence. With his team, he is working tirelessly to recreate his brand and achieve success. Conclusion Marten’s journey from Ibadan to the world stage is a testament to his resilience, creativity, and passion for music. Despite the challenges, he continues to forge ahead, inspired by legendary artists and driven by his dreams. As he prepares to drop his 5-track EP, Marten is poised to make a significant impact on the music scene, leaving an indelible mark with his unique sound and compelling storytelling. Follow Marten’s journey and stay tuned for more updates on his upcoming EP release and other exciting projects!  

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fela
Music History
milliondollarideas

Fela Anikulapo Kuti: Afrobeat’s Pioneer and Revolutionary Voice on Hafrikplay’s Afrobeats History

Introduction In the pulsating world of Afrobeats, one name towers above the rest as a revolutionary force and musical genius – Fela Anikulapo Kuti. As Hafrikplay’s Afrobeats History rightfully places him in the spotlight, it’s time to explore the life, music, and enduring legacy of the man who pioneered Afrobeat and fearlessly used his art to challenge social and political norms. Early Life and the Birth of Afrobeat Born on October 15, 1938, in Abeokuta, Nigeria, Fela Kuti came from a family deeply immersed in music. His journey into the world of music began at Trinity College of Music in London, where he studied classical music. However, it was his return to Nigeria and the formation of his band, Africa ’70, that marked the birth of Afrobeat. Afrobeat, Fela’s signature sound, is a fusion of traditional Nigerian music, jazz, highlife, and funk. Characterized by complex rhythms, horn arrangements, and socially conscious lyrics, Afrobeat became a powerful medium through which Fela addressed political corruption, social injustice, and the oppression faced by the Nigerian people. The Musical Revolutionary Fela Kuti’s music wasn’t just entertainment; it was a call to action. His albums, such as “Zombie,” “Expensive Shit,” and “Water No Get Enemy,” were not only masterpieces of musical innovation but also bold statements against the government and social inequalities. Fela fearlessly confronted authorities, earning him both admiration and condemnation. His unapologetic approach to criticizing the government, particularly during the military regime in Nigeria, led to numerous arrests, beatings, and the destruction of his commune, Kalakuta Republic. Despite the personal toll, Fela persisted, using his music and activism to inspire change and provoke thought. The Legacy Lives On Fela Kuti’s influence extends far beyond the realm of music. His unwavering commitment to social justice, human rights, and the fight against corruption has inspired generations of musicians, activists, and artists worldwide. Fela’s impact on Afrobeats is immeasurable, with contemporary artists acknowledging him as a trailblazer who paved the way for the global recognition of African music. Hafrikplay’s Afrobeats History rightly places Fela Kuti at the forefront of the narrative, acknowledging his role as a musical revolutionary and cultural icon. By featuring him, the platform not only pays homage to a legend but also educates audiences on the roots and socio-political essence of Afrobeat. Conclusion Fela Anikulapo Kuti remains a symbol of musical innovation, social resistance, and unyielding courage. As Hafrikplay brings his story to the forefront of Afrobeats History, it provides a platform to celebrate the life and legacy of a man who transcended musical boundaries and used his art to ignite change. Fela’s Afrobeat lives on, echoing through time as a powerful testament to the enduring power of music in the face of adversity. Stream Fela’s Music HERE

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Entertainment
Beejay Flip

Entertainment – Afrobeats And Afrobeat: The Real Difference In The Genres

Afrobeat and Afrobeats may sound alike, but there are two different genres of music. Although the disparity, the salient influences are conspicuous. Afrobeats vs Afrobeat: Many people think Afrobeat and Afrobeats are the same, especially with the dissemination of African music to new listeners beyond the shores of the continent in recent times. Music from Africa is diverse and inclusive, led by genres of various regions. These include; the Amapiano of the South, Bongo Flava of the East, Chaabi of the North, Afrobeats of the West, and Soukous of the Central Region of the continent. However, popular African music in recent years is often being tagged as “Afrobeats” by the giants of the global music industry and some music fans as well, disregarding the uniqueness and originality of the various genres inaccurately or purposefully classified under it. The recently launched Billboard U.S. Afrobeats chart is a perfect example, a non-Afrobeats record like ‘Kwaku The Traveller’ by Ghana’s Black Sherif, the 5th song on the chart has been boxed in the same category as ‘Finesse’ by Pheelz, on a supposed ‘Afrobeats‘ chart. Observations like these prompt the question: Is Afrobeats more of a culture than a genre? (A topic for another day). “Before Abraham, there were men,” permit me to use these words. Prior to Afrobeats, African music has been consistently taking shape, legends like Fela Kuti, Sir Victor Uwaifo, Miriam Makeba, King Sunny Ade, Youssou N’Dour, Sunny Okosun, Brenda Fassie amongst others have been exhibiting the beauty of African music at different levels. During the aforementioned area, the ‘Afrobeat’ genre was a major player in the African music sphere, and its major proponent was the legend, Fela Olufela Olusegun Oludotun Ransome-Kuti popularly known as Fela Kuti. Developed in the late 1960s, it had a salient influence on the contemporary Afrobeats style.

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